Wednesday, December 30, 2009
Tuesday, December 29, 2009
Sunday, December 27, 2009
Saturday, December 26, 2009
Tuesday, December 22, 2009
Washington, D.C. 1962
Sunday, December 20, 2009
Sunday, December 13, 2009
Lina Scheynius
Friday, November 20, 2009
City of Roses
Friday, November 6, 2009
Among the reasons to love Fridays
If you don't already love Friday then you haven't seen the greatness of Kate Steciw's Friday Round Up. She hand picks found images and e-mails them out to any willing recipients. These are some recent highlights. Hurry up and sign up here!
Saturday, October 3, 2009
Tuesday, September 29, 2009
Monday, September 28, 2009
Audra Wist
I glimpsed her work a while back and when discovering it again today, felt it necessary to share. Intriguing photos by Adura Wist; more here.
Wednesday, August 19, 2009
Summer Lookbook 09
I have a small handful of photos in the issue, alongside many talented folks. Thanks Blank Page!
Sunday, August 2, 2009
To go away and not look back
Friday, July 17, 2009
Saturday, July 4, 2009
Art, camp, and twitter
Wednesday, July 1, 2009
Bill Jay on photographic fame
"I think we can agree that any definition of fame would include such phrases as “popular acclaim,” “known far and wide,” “public estimation and regard,” “household name,” and similar tributes. Now lay back and concentrate. Name an active living artist-photographer who is famous. . . . . . . (The dots represent time passing. Go ahead, think about it for as long as you like.)
Ready now? Good. Who did you come up with? Joel-Peter Witkin. Robert Mapplethorpe. Annie Leibowitz. Sally Mann. Who? Never mind – we have enough names for our purpose.
The next question is: how many people in the USA have heard of any one of these names? As I cannot hear you I will answer the question myself. Probably one thousand at any one time. More? OK, let us up the figure to five thousand although I think that is stretching it.
Here is the first conclusion: in a nation of 260 million even the higher figure does not represent “public acclaim”; it means that the name is recognized by only five persons in a quarter of a million. Now, compare. When a minor television sit-com actress of dubious talent declared her lesbianism she inundated every major news outlet for weeks, including the cover of Time plus seven inside pages, and her coming-out episode was watched by everyone in the universe except me. That is fame."
After attending a lecture of Soth's and seeing his work, I have to say I really agree with what he has to say about contemporary photography.
Wednesday, June 24, 2009
Thursday, June 18, 2009
Saturday, June 13, 2009
The Curtain
"No way around it: historical consciousness is so thoroughly inherent in our perception of art that this anachronism (a piece similar to Beethoven written by a contemporary today) would be spontaneously (that is, without the least hypocrisy) felt to be ridiculous, false, incongruous, even monstrous. Our feeling for continuity is so strong that it enters into the perception of any work of art."It's such a relevant concept, the value of history and significance of original pieces. It's a really thoughtful read, and that reminds me of a recent post by Amy Stein, regarding a recurring theme in Italian Renaissance art of the myth of Leda and the Swan (Zeus takes the form of a swan, rapes Leda, and she gives birth to four sons, two of which are from Zeus and hatch from eggs). In short, she remarks on the eroticism of the classical depiction, "...Like being raped by a swan and giving birth to bastard egg children is the height of eroticism". Then she references how one of her photographs reminds her of what might have been a more authentic reaction of Leda. So essentially it's an historic motif being reinterpreted, which got me back to thinking about to Kundera's essay. I think it comes down, in reference to fine art, to imitation vs. expansion.
Wednesday, June 3, 2009
Red scale film project
Monday, June 1, 2009
You don't have to be a Rockefeller
Sunday, May 31, 2009
F-stop Portfolio Issue
Saturday, May 30, 2009
Word for word
Michelle Anderson Photograph. "Roots"
Browsing through The Photographic Dictionary is my most recent favorite pass-time. It's an expanding bunch of images by contemporary photographers that define dictionary words with visual language. Somehow there's a real cohesiveness with all the pictures, which i love, and what i love even more is that most of it is film rather than digital. If it was up to me (which, i suppose, it actually is) I won't be buying into digital for a long time, if ever! I think it's about the tangibility of film, the series of chemical reactions it takes to create a photo, that makes it superior to digital and so appealing to me.